Jeanette May Visual Artist |
EducationMFA Photography, California Institute of the Arts, Valencia, CA BFA Painting, University of Illinois, Urbana-Champaign, IL Recent Exhibitions2012 Cleveland Museum of Art, Cleveland, OH, DIY Photographers & Books, curated by Barbara Tannenbaum Photo Center NW, Seattle, WA, Equivalents, curated by W.M. Hunt A.I.R. Gallery, Brooklyn, NY, Creature Features, 2-person exhibition in affiliation with New York Photo Festival Lawton Gallery, University of WI, Green Bay, WI,Take Care: Biomedical Ethics in the 21st Century A.I.R. Gallery, Brooklyn, NY, Bachelor Pads, Solo Exhibition Arthur M. Berger Art Gallery, Manhattanville College, Purchase, NY, Love? Exhibition Trahern Gallery, Austin Peay State University, TN, Take Care: Biomedical Ethics in the 21st Century 2011 SOMArts, San Francisco, CA, Man as Object–Reversing the Gaze, curated by Tanya Augsburg, PhD Sarratt Gallery, Vanderbilt University, Nashville, TN, Take Care: Biomedical Ethics in the 21st Century Konsthallen, Sandviken, Sweden, and A.I.R. Gallery, Brooklyn, NY, Vesitge: Traces of Reality, dual exhibitions curated by Jill Conner A.I.R. Gallery, Brooklyn, NY, 3-person photo exhibit, But that's a different story... Freedman Gallery, Albright College, Reading, PA, Gender Matters/Matters of Gender, curated by Judith Tannenbaum The Renaissance Center, Dickson, TN, Take Care: Biomedical Ethics in the 21st Century 2010 PooL Art Fair, Miami, FL, Take Care: Biomedical Ethics in the 21st Century ArtHamptons, Bridgehampton, NY, A.I.R. Gallery Exhibition Space New Image Gallery, James Madison University, Harrisonburg, VA, Photography & Literature 2009 ArtPrize 2009, Grand Rapids, MI, Take Care: The Art, Science & Bioethics of Motherhood A.I.R. Gallery, Brooklyn, NY, Easy on the Eyes, Solo Exhibition The Center for Book Arts, Flo: art/text/new media, New York, NY, curated by Rocio Aranda-Alvarado Marran Gallery, Lesley University, Cambridge, MA, Does Gender Matter? curated by Barbara O'Brien A.I.R. Gallery, Brooklyn, NY, Contemporary Humanism, curated by Rocio Aranda-Alvarado 2008 Heineman-Myers Contemporary Art, Bethesda, MD, Faux/Real, 2-person exhibition with Brady Robinson, gallery talk by Andy Grundberg Gallery 1401, University of the Arts, Philadelphia, PA, Fertitlity in the Age of A.R.T., Solo Exhibition Iowa State Memorial Union Gallery, IA State University, Ames, IA, Fertitlity in the Age of A.R.T., Solo Exhibition Long Beach Island Foundation of Arts & Sciences, Loveladies, NJ, Works of Art on Paper, juried by Charlotta Kotik Cal State Northridge Art Galleries, Northridge, CA, Reclaiming the “F” Word, organized by the Center for the Study of Political Graphics Loranger Gallery of the University of Detroit Mercy, Detroit, MI, Gender Politics A.I.R. Gallery, NY, NY, Structured Incidents, curated by Charlotta Kotik ARC Gallery, Chicago, IL, Are We There Yet? 30 Years of Feminism, juried by Mary Ellen Croteau Rotunda Gallery, Roosevelt University, Schaumburg, IL, Fertitlity in the Age of A.R.T., Solo Exhibition A.I.R. Gallery, NY, NY, Generations VI Invitational Exhibition 2007 Jersey City Museum, Jersey City, NJ, The Feminine Mystique, curated by Rocio Aranda-Alvarado Williamsburg Art Center, Brooklyn, NY, Sun Pictures to Mega Pixels Honfleur Gallery, Washington, DC, Girl Machine Decker and Meyerhoff Galleries, MICA, Baltimore, MD, Artscape Sondheim Prize Semi-Finalists Exhibition, juried by Robert Storr, Becky Smith, and Derrick Adams Heineman-Myers Contemporary Art, Bethesda, MD, Yummy Illini Union Art Gallery, University of Illinois, Urbana, IL, Fertitlity in the Age of A.R.T., Solo Exhibition Innis Town Hall, University of Toronto, Canada, Subjects of Hybridization Washington Project for the Arts/Corcoran, Washington, DC, 9 x 10 Exhibition 1 A.I.R. Gallery, NY, NY, Made Out of the Ordinary, National Members Exhibition 2006 Corcoran Gallery of Art, Washington, DC, Corcoran Faculty Biennial Technopolis, Athens, Greece, Stop AIDS poster exhibition Capitol Hill Arts Center, Washington, DC, Juried Photography Exhibition, juried by Bruce McKaig Warehouse Gallery, Washington, DC, Art Romp #18 2005 Museum of Fine Arts, Florida State University, Tallahassee, FL, Power: Sex, Politics, and the Pursuit of Global Domination Washington Project for the Arts/Corcoran, Washington, DC, Seven, curated by F. Lennox Campello Woman Made Gallery, Chicago, IL, 8th International Open, juried by Lynne Warren California State University, Fullerton, CA, Women Hold Up Half the Sky 3 Ten Haustudio, Atlanta, GA, Women's Caucus for the Arts, Gender in Motion, juried by Emma Amos 2004 A Shenere Velt Gallery, Los Angeles, CA, Régime Change, juried by Carol Wells, Eric Gordon, and Ursula Kammer-Fox Corcoran Gallery of Art, Washington, DC, Corcoran Faculty Biennial Runnels Gallery, Eastern New Mexico University, Portales, NM, SNAP ’04, juried by Carol Squiers BibliographyThe New York Photo Review, May 16, 2012, "Crime Scenes" exhibition review by Mohammad Chowdhury PDN Photo District News, May 11, 2012, "Mouse" selected Photo of the Day by PDN Creative Director Darren Ching The Brooklyn Paper, April 27, 2012, "Victim's Close-Up," exhibition review by Will Bredderman 24700 CalArts Blog, April 19, 2012, "A.I.R. Gallery Presents Photographs by Alumna Jeanette May," by Christine N. Ziemba Now On: Feb 2012 with Julia Morton, February 18, 2012, exhibition review by Julia Morton CBS NY Local, February 1 & 24, 2012, "Bachelor Pads" exhibition is one of "5 Best Things to do in NYC Tonight" Time Out New York, February 1, 2012, "Bachelor Pads" exhibition is Critics' pick: This week in New York Curbed.com, January 18, 2012, "Direct Your Longing Gaze at These Men in Their Bachelor Pads," by Dave Hogarty Eventseekr blog, November 14, 2011, "Man as Object: Reversing the Gaze–Is a Naked Man Enough?," exhibition review by Julia Glosemeyer Man as Object: Reversing the Gaze, 2011, exhibition catalog essay by Tanya Augsburg, PhD Arbetarbladet, June 20, 2011, "New york Spanar in Sandviken," exhibition review by Lars Halvarsson Vestige: Traces of Reality, 2011, exhibition essay by Jill Conner WagMag: Brooklyn Art Guide, May 2011, Critic's Pic "A.I.R.," exhibition review by Enrico Gomez ARTslant.com, May 13, 2011, "But that's a different story...reviewed," exhibition review by Daniëlle de Hoog On-Verge.org, April 30, 2011, "But that's a different story..." exhibition review by Erica Varlese Easy on the Eyes, 2010, catalogue essay "Evocations of Desire," by Elizabeth Dastin Flo: art, text, new media, 2009, exhibition catalogue essay by Rocío Aranda-Alvarado Does Gender Matter: He, She, It–Third Person Singular, 2009, exhibition essay by Barbara O'Brien Contemporary Humanism, 2009, exhibition essay by Rocío Aranda-Alvarado Take Care: The Art, Science, and Bioethics of Motherhood, 2009, exhibition essay by Veronica Kavass Faux/Real, 2008, exhibition talk by Andy Grundberg Structured Incidents, 2008, exhibition essay by Charlotta Kotik Washington Post, August 24, 2007, “At Area Galleries, Singularly Focused Groups,” exhibition review The Feminine Mystique: Contemporary Artists Respond, 2007, “The Problem that had No Name,” catalogue essay by Rocío Aranda-Alvarado DCist.com, July 18, 2007, “Yummy at Heineman Myers Contemporary Art,” exhibition review Gender in Motion, 2005, photo reproduced in exhibition catalogue Women Artists Datebook 2005, Syracuse Cultural Workers, 2005, page illus. Wonder Woman New Mexico Photography Magazine, Spring 2004, “Snap 2004 Exhibition,” photo reproduced Actors & Activists: Politics, Performance, and Exchange Among Social Worlds, David Schlossman, Routledge 2002, interview and documentation of activist performance works Love After 1950, Libby Larsen, Oxford University Press 2001, musical score cover illustration Barbecue The Middlesex Beat, Groton, MA, April 2000, “Profile of the Month: Jeanette May” Women Artists Datebook 2000, Syracuse Cultural Workers, 2000, page illustration Barbecue Ms. Magazine, August/September 1999, selected Girl Germs posters Chicago Tribune Magazine, Feb. 1999, “The Art of Collaboration,” feature on Artemisia Gallery included reproduction of Sisterhood is Powerful New City, Chicago, IL, January 15, 1998, “Tip of the Week: Jeanette May,” exhibition review Under the Sign of Hope, Leslie R. Bloom, SUNY Press 1998, book cover illustration Cake Walk Exquisite Politics, Duhamel & Seaton, Tia Chucha Press 1997, book cover illustration Ballerina Cowgirl Splice, 1997, “The Missionary Position,” catalogue essay by Matias Viegener New City, Chicago, IL, December 4, 1997, “Art Break: Beyond Renoir,” exhibition review including Girl Germs posters Fellowships, Grants & AwardsForward Thinking Museum, JGS Photography Contest, 1st Quarter Finalist, 2010 Baltimore Office of Promotion & The Arts, Janet & Walter Sondheim Prize, Semi-Finalist, 2007 Capitol Hill Arts Workshop, Washington, DC, Juried Photography Exhibition, First Prize, 2006 A Shenere Velt Gallery, Los Angeles, CA, Régime Change Exhibition, Best of Show, 2004 Ms. Foundation, Project Grant, Girl Germs Poster Project, 1998 Girl's Best Friend Foundation, Project Grant, Girl Germs Poster Project, 1997, 1998 Illinois Arts Council, Individual Artists' Fellowship Finalist, Photography, 1994 NEA Regional Artists Projects Grant, No More Nice Girls Project, 1992 City of Chicago, Dept. of Cultural Affairs, Visual Arts, C.A.A.P. Grant, 1992 Illinois Arts Council, Individual Artists' Fellowship Award, Photography, 1990 College Teaching ExperienceInternational Center of Photography (ICP), New York, NY, 2010–Present George Washington University, Washington, DC, 2007–2009 Corcoran College of Art & Design, Washington, DC, 2004–2007 School of the Art Institute of Chicago (SAIC), Chicago, IL, 1996–1998 Columbia College Chicago, Chicago, IL, 1990–1997
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