Jeanette May Visual Artist |
2010
New Image Gallery, James Madison University, Harrisonburg, VA, Photography & Literature
2009
ArtPrize 2009, Grand Rapids, MI, Take Care: The Art, Science & Bioethics of Motherhood
A.I.R. Gallery, Brooklyn, NY, Solo Exhibition
The Center for Book Arts, Flo: art/text/new media, New York, NY, curated by Rocio Aranda-Alvarado
Marran Gallery, Lesley University, Cambridge, MA, Does Gender Matter? curated by Barbara O'Brien
A.I.R. Gallery, Brooklyn, NY, Contemporary Humanism, curated by Rocio Aranda-Alvarado
2008
Heineman-Myers Contemporary Art, Bethesda, MD, Faux/Real, 2-person exhibition with Brady Robinson, gallery talk by Andy Grundberg
Gallery 1401, University of the Arts, Philadelphia, PA, Solo Exhibition
Iowa State Memorial Union Gallery, IA State University, Ames, IA, Solo Exhibition
Long Beach Island Foundation of Arts & Sciences, Loveladies, NJ, Works of Art on Paper, juried by Charlotta Kotik
Cal State Northridge Art Galleries, Northridge, CA, Reclaiming the âFâ Word, organized by the Center for the Study of Political Graphics
Loranger Gallery of the University of Detroit Mercy, Detroit, MI, Gender Politics
A.I.R. Gallery, NY, NY, Structured Incidents, curated by Charlotta Kotik
ARC Gallery, Chicago, IL, Are We There Yet? 30 Years of Feminism, juried by Mary Ellen Croteau
Rotunda Gallery, Roosevelt University, Schaumburg, IL, Solo Exhibition
A.I.R. Gallery, NY, NY, Generations VI invitational exhibition
2007
Jersey City Museum, Jersey City, NJ, The Feminine Mystique, curated by Rocio Aranda-Alvarado
Williamsburg Art Center, Brooklyn, NY, Sun Pictures to Mega Pixels
Honfleur Gallery, Washington, DC, Girl Machine
Decker and Meyerhoff Galleries, MICA, Baltimore, MD, Artscape Sondheim Prize Semi-Finalists Exhibition, juried by Robert Storr, Becky Smith, and Derrick Adams
Heineman-Myers Contemporary Art, Bethesda, MD, Yummy
Illini Union Art Gallery, University of Illinois, Urbana, IL, solo exhibition
Innis Town Hall, University of Toronto, Canada, Subjects of Hybridization
Washington Project for the Arts/Corcoran, Washington, DC, 9 x 10 Exhibition 1
A.I.R. Gallery, NY, NY, Made Out of the Ordinary, National Members Exhibition
2006
Corcoran Gallery of Art, Washington, DC, Corcoran Faculty Biennial
Technopolis, Athens, Greece, Stop AIDS poster exhibition
Capitol Hill Arts Center, Washington, DC, Juried Photography Exhibition, juried by Bruce McKaig
Warehouse Gallery, Washington, DC, Art Romp #18
2005
Museum of Fine Arts, Florida State University, Tallahassee, FL, Power: Sex, Politics, and the Pursuit of Global Domination
Washington Project for the Arts/Corcoran, Washington, DC, Seven, curated by F. Lennox Campello
Woman Made Gallery, Chicago, IL, 8th International Open, juried by Lynne Warren
California State University, Fullerton, CA, Women Hold Up Half the Sky
3 Ten Haustudio, Atlanta, GA, Women's Caucus for the Arts, Gender in Motion, juried by Emma Amos
2004
A Shenere Velt Gallery, Los Angeles, CA, Régime Change, juried by Carol Wells, Eric Gordon, and Ursula Kammer-Fox
Corcoran Gallery of Art, Washington, DC, Corcoran Faculty Biennial
Runnels Gallery, Eastern New Mexico University, Portales, NM, SNAP ’04, juried by Carol Squiers
2002
Washington Project for the Arts/Corcoran, Washington, DC, Not Yet Titled, juried by Chan Chao
University of Tennessee, Knoxville, TN, Women Hold Up Half the Sky
2001
Sara Meltzer Gallery, NY, NY, Postcards From The Edge Benefit for Visual AIDS
Herndon Gallery, Antioch College, Yellow Springs, OH, Material Reconsideration
MFA Photography, California Institute of the Arts, Valencia, CA
BFA Painting, University of Illinois, Urbana-Champaign, IL
Forward Thinking Museum, JGS Photography Contest, 1st Quarter Finalist, 2010
Baltimore Office of Promotion & The Arts, Janet & Walter Sondheim Prize, Semi-Finalist, 2007
Capitol Hill Arts Workshop, Washington, DC, Juried Photography Exhibition, First Prize, 2006
A Shenere Velt Gallery, Los Angeles, CA, Régime Change Exhibition, Best of Show, 2004
Ms. Foundation, Project Grant, Girl Germs Poster Project, 1998
Girl's Best Friend Foundation, Project Grant, Girl Germs Poster Project, 1997, 1998
Illinois Arts Council, Individual Artists' Fellowship Finalist, Photography, 1994
NEA Regional Artists Projects Grant, No More Nice Girls Project, 1992
City of Chicago, Dept. of Cultural Affairs, Visual Arts, C.A.A.P. Grant, 1992
Illinois Arts Council, Individual Artists' Fellowship Award, Photography, 1990
Easy on the Eyes, 2010, catalogue essay "Evocations of Desire," by Elizabeth Dastin
Flo: art, text, new media, 2009, exhibition catalogue essay by Rocío Aranda-Alvarado
Does Gender Matter: He, She, It–Third Person Singular, 2009, exhibition essay by Barbara O'Brien
Contemporary Humanism, 2009, exhibition essay by Rocío Aranda-Alvarado
Take Care: The Art, Science, and Bioethics of Motherhood, 2009, exhibition essay by Veronica Kavass
Faux/Real, 2008, exhibition talk by Andy Grundberg
Structured Incidents, 2008, exhibition essay by Charlotta Kotik
Washington Post, August 24, 2007, “At Area Galleries, Singularly Focused Groups,” exhibition review
The Feminine Mystique: Contemporary Artists Respond, 2007, “The Problem that had No Name,” catalogue essay by Rocío Aranda-Alvarado
DCist.com, July 18, 2007, “Yummy at Heineman Myers Contemporary Art,” exhibition review
Gender in Motion, 2005, photo reproduced in exhibition catalogue
Women Artists Datebook 2005, Syracuse Cultural Workers, 2005, page illus. Wonder Woman
New Mexico Photography Magazine, Spring 2004, “Snap 2004 Exhibition,” photo reproduced
Actors & Activists: Politics, Performance, and Exchange Among Social Worlds, David Schlossman, Routledge 2002, interview and documentation of activist performance works
Love After 1950, Libby Larsen, Oxford University Press 2001, musical score cover illustration Barbecue
The Middlesex Beat, Groton, MA, April 2000, “Profile of the Month: Jeanette May”
Women Artists Datebook 2000, Syracuse Cultural Workers, 2000, page illustration Barbecue
Ms. Magazine, August/September 1999, selected Girl Germs posters
Chicago Tribune Magazine, Feb. 1999, “The Art of Collaboration,” feature on Artemisia Gallery included reproduction of Sisterhood is Powerful
New City, Chicago, IL, January 15, 1998, “Tip of the Week: Jeanette May,” exhibition review
Under the Sign of Hope, Leslie R. Bloom, SUNY Press 1998, book cover illustration Cake Walk
Exquisite Politics, Duhamel & Seaton, Tia Chucha Press 1997, book cover illustration Ballerina Cowgirl
Splice, 1997, “The Missionary Position,” catalogue essay by Matias Viegener
New City, Chicago, IL, December 4, 1997, “Art Break: Beyond Renoir,” exhibition review including Girl Germs posters